The Geppi Entertainment Museum

Filed under: Comics, Samantha — Scott King at 9:29 am on Friday, February 2, 2007

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Samantha and I visited the Geppi Entertainment Museum and we were both thoroughly disappointed. The first problem with the museum is that its in downtown Baltimore, where the only real option for parking is in a garage where you can easily pay $10 to $20 for merely two hours.

Page-02-GEMatCamdenYards.jpgThe next step is finding the museum. I went to college (undergrad) just outside of Baltimore, so I?m familiar with both the city and Camden Yards. When I saw the photos on the internet of the building where the museum is I wasn?t worried. I knew exactly where it was, yet when I got there all the signs said ?Sports Legends Museum.? I don’t mean just one sign, but like six or seven.

I was really confused and worried that the Geppi Museum had closed. Samantha and I ended up walking over to the Oriels-ticket box office and asked the guy there. He told us that the Geppi Museum was above the Sports Legends Museum and that we had to use the back door of the building and go up a flight of stairs to find it.

Walking into the Museum I was excited. We went up a flight of stairs and the walls were covered in cool posters and paintings. Then we entered and approached the ticket booth. At it was a security guard watching a bunch of monitors and a woman who looked really bored. Both acted surprised to see us.

After talking for a minute, I found out that even though it was 2p.m. we were the first visitors of the day. I told her that I had heard the museume wasn?t doing too well and she told me that ever since baseball season ended it?s been dead.

Page-01-Steve-Geppi-2006.jpgI asked if there was a chance the place would close and she told me that she was told that Steve Geppi strongly supports the idea of the museum and that employees were told their job was secure. She also said that Geppi leased the space for a set amount of time and would lose money if he broke the contract early. Of course I don?t know if any of this is true but it?s just what she told me.

Samantha and I made our way past the ticket counter and we weren?t sure where to go. We could go forward to a staircase that appeared to lead to a second floor (we went to it later and it was just a dead end) and then to the right or left. I turned around and went back to the counter and I asked the woman if she had a map or if we should start somewhere specific and she said ?no.?

We decided to turn right and the first room we saw was the comic book gallery. Being a comic reader, a poor comic reader, I was excited to see real issues of ?Fantastic Four? number 1, ?Amazing Fantasy? 15, ?Detective Comics? issue 1 and tons and tons of other rare/expensive comics for the first time. We walked into the room and it was just lined wall to wall with comics. It was so cool!
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But then we started looking around and realized we didn?t know what we were looking at. There was a sign on the wall talking about the origin of comics dating back to cave drawings and another one explaining the four-color process, but that was it. There was nothing to explain why the hundreds of comics in the room were special.

You see at museums they put up signs/plaques that explain things. As a visitor, you really aren?t ever expected to read every plaque, but you scan them and when you see something interesting you normally stop and read it. So it was extremely frustrating to be standing in a room with strong comic history and not know why anything but a handful of comics were important. I mean ?Amazing Fantasy? #15 wasn?t even labeled as the first appearance of Spider-Man book. Underneath the comic was just its name and the year it was published.

If that wasn?t bad enough, every other room in the museum was the same way. Each room/gallery had glass cases and ?pop culture? items dating from a certain time period, but nothing was explained. So you would walk into a room, see interesting stuff on display and have no idea what it was or why it?s important.

DSCN5302.JPGI did pretty well in the 80?s room since I was born in ?82. Even Samantha recognized a Rainbow Brite and other toys from her childhood, but neither of us could appreciate the other galleries because we weren?t alive then and because there was nothing to explain things.

It’s odd because I remember reading interviews with Geppi in Maryland newspapers when the museum first opened and he spoke about education. He talked about maybe starting an education program and incorporating it into the museum. So it?s weird that there isn?t anything in the museum that educates or explains the items in it.

Samantha and I were disappointed with the whole venture. The place just has so much potential, but through poor execution and bad location it falls flat. Also, don’t forget I’m a comic reader and a fan of this stuff, so if the museum can’t keep my attention, how is it goign to appeal to the average day person?

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16 Comments »

834

Pingback by ComicBookNewsWire.com » Blog Archive » Comics Blogs: The Geppi Entertainment Museum

February 2, 2007 @ 11:12 am

[...] Original post by Tom McLean and software by Elliott Back [...]

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Comment by Lisa

February 2, 2007 @ 2:11 pm

The museum is not too far from the convention center. During the con they were shuttling people to and from the museum. We didn’t go when we were there because that whole Arlington hike had us exhausted, but we saw photos from others and heard good things. But, those were people who’d know lots about old comics and stuff. I’m surprised they didn’t have more signs or anything.

842

Comment by Scott King

February 2, 2007 @ 2:18 pm

The convention center is a street away from Camdem Yards. That whole area is horrible for parking because places charge up the waazooo because they are so near the stadiums.

They were really “shuttling” people from the convention center to the museum? That’s crazy because the two are so close.

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Comment by Lisa

February 2, 2007 @ 5:35 pm

Well, from your post it’s close, but not very easy to find. They were probably shuttling people just so that they’d actually FIND the place.

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Comment by Travis

February 5, 2007 @ 5:24 pm

Let me get this straight, “…neither of us could appreciate the other galleries because we weren’t alive then and there was nothing to explain things.”

So you can only appreciate or understand things that have actually occured/happened during your lifetime.

Wow… just …wow.

Your complete willful ignorance is staggering.

I wasn’t born until 1969, but I sure as hell appreciate and understand what people like Elvis and The Beatles did.

888

Comment by Theo

February 5, 2007 @ 6:32 pm

Travis: You nasty muppet you, completely ignoring the ‘and’ in the very sentence you quoted just so you could insult someone. Also i can’t help but feel your analogy to be somewhat lacking.

I totally followed the point of the article and it is a shame to see a supposed ‘museum’ spoilt by the total lack of accompanying information. Instead all you are left with is just a vast gallery that the viewer is given little reason to care or be excited about.

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Comment by Vert

February 5, 2007 @ 7:45 pm

Travis:

You’re a year older than I am. You should be ashamed of yourself for trolling. Next, you’ll be yelling for those dang kids to get off your lawn.

It’s like you didn’t even read the article.

Sad.

Your complete willful ignorance is staggering.

I enjoyed the article, and appreciate the info. It doesn’t sound like the kind of place I’ll take time to visit.

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Comment by dlotempio

February 5, 2007 @ 9:25 pm

Interesting experience. Sounds like Geppi has run into a dillemma not uncommon with fledgling museums: exhibition development. Creating good exhibits that excite and educate people is a discipline onto itself. You really need to have someone skilled and talented enought to digest the artifacts of a museum and then re-conceive it in new, intelligible ways. Not that I’m an expert but I’ve seen similiar challenges at a different fledgling museum.

Now some museums with limited finances to contract or hire such professionals can try to get grants from IMLS or National Endowment for the Humanities or even the Humanties or Arts or Archives council in each State. But the museum would need to be a nonprofit, and usually needs to be open for a sufficient duration to access these options. Geppi’s musuem may be too new and too financially entwined with his own business to access those opportunies right now. Hopefully, he can stick with it a few years and attain those steps that will add content and interest into his site.

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Comment by Paul Galletley

February 6, 2007 @ 11:52 am

Hmmm, perhaps they’ve modified things somewhat since I visited in late October, but I thoroughly enjoyed the experience and would hate to have someone reading this be turned off by the report.

When I went there (October 28, a Saturday), I was able to comfortably walk from my hotel (the Holiday Inn) to the museum, which was very clearly marked and accessible from what appeared to me to be the “front” of the building (you know, the side that says what the building is – I would say that the picture in the review is of the “back” of the building). There’s even an elevator if you don’t wish to take the stairs.

The friendly yet admittedly somewhat bored hostess gave me a map and brief explanation that I could “start anywhere” but suggested the room labelled #1 on the map, the comic book room. She also said to be sure I do the “treasure hunt” along the way.

I was absolutely stunned by the sheer extravagance of seeing so many Golden and Silver Age beauties on display! Most were excellent mid- to high-grade examples of key books, including a vertical spinner display of 9.0 and above CGC-graded EC titles.

Now, I was born in 1971 and have collected comics for 25 years. I’m a big Silver Age fan and collector and therefore *I* didn’t really know the specifics of much of what I saw on display (lots of Golden), but that certainly didn’t prevent me from spending almost 90 minutes just in that one room!

Almost every book was at least labelled and IIRC there were many little mini-displays with interesting facts, etc. There was lots of original art, labelled and briefly explained. There were video displays as well as the aforementioned “Treasure Hunt”, which allowed me to flex my trivia muscles (it had “hard” and “easy” settings). I completed the hunt by going to a kiosk in each room and either finding the answers or making educated guesses; it was a fun way to be “guided” around the museum. I got a “prize” at the end (which was lame, but the prize wasn’t the point).

Upon entry into each room, motion sensors activated a recording, setting the stage for the room. I saw numerous explanatory panels throughout, so I suspect that after the first room the author and his friend might have been skimming the displays. I could go on and on about the incredible amount of ephemera collected in the Geppi Museum, but I think I’ve made my point.

You get out of the experience what you put into the experience. You don’t have to be able to relate to something specifically in order to appreciate it and/or its place in pop culture. I certainly got my $10 worth!

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Comment by Hondo

February 6, 2007 @ 11:50 pm

Well, I have heard great things about the museum from other fans and plan on spending a day there sometime down the road with lots of film in camera.

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Comment by Scott King

February 7, 2007 @ 12:25 am

With the exception of the Press you aren’t allowed to take photos. Though no one told us until we were about to leave and there was no one around to really stop me.

Comment by Judy

February 16, 2007 @ 12:57 pm

I agree with you Paul. Now admittedly, I’m older than most of you folks. My husband and I visited in January and the first day (yes you read right) we had limited time. We had to go back the next day because we couldn’t believe all of the “gems” in this place. I couldn’t stop telling my friends about this place.

We both collect comics and are fans of the golden and silver age comics. We were totally overwhelmed at the incredibly rich content that chronicles a part of the childhood we experienced.

Bravo to The Geppi!!! I’ll go back :) Thank you!

Comment by campioni

March 16, 2007 @ 12:38 am

um… buoni, realmente buoni luogo e molto utile;)

Comment by hiutopor

September 19, 2007 @ 10:28 pm

Hi all!

Very interesting information! Thanks!

Bye

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October 29, 2007 @ 12:24 pm

[...] Geppi’s Entertainment Museum I post a lot of TV spoilers and share tons of news stories, but one thing I stay away from is doing reviews. I just don’t like doing reviews. My problem with reviews is that most of the time you’re just telling people what’s bad about something and I just don’t like brining constant negativity to my posts. But after visiting the Geppi Entertainment Museum I felt compelled to share my experience and as a result everyone and their mother decided to link to my review. It’s also listed pretty high up by Google when you search for the museum. [...]

Comment by Vic

March 26, 2008 @ 8:48 pm

the geppi museum will never go out of buisness because the owner, steve geppi owns diamond comics, the worlds biggest comic distributor (they basically have a monopoly of the market).

they own the balitmore orioles and they are filthy rich.

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